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Language Teaching

Intersidereal . . . 2021
Organoids . . . 2020
Future Lights . . . 2020
Immanence . . . 2019
Sound Graffiti . . . 2019
PlatFORM. . . 2018
Sound Frames . . . 2017
Syntony . . . 2017
Voci della Terra e del Cielo . . . 2017
Bi-dimensional . . . 2017
Amalgamation . . . 2016
Earphones . . . 2014
Bamboo Heaven . . . 2014
Théâtre des Champs Elysées . . . 2013
Binaural String Quartet . . . 2014
Sound Canvas . . . 2014 to 2020

Blog Articles

AI Aesthetics: Music’s Rebirth
The Three Phases of Pausini’s Production
On the Listening Experience of a Musician
A Park’s Soundscape is Endangered
Making Cables in Outer Space
String Quartet with ‘Realistic’ Virtual Instruments
Spatial & Imagined Soundscapes
Stage Lighting Design with Max MSP, EOS and Capture
Layers by Orchestral Tools
How to record audio with binaural mics (Roland CS-10EM) using a PCM recorder (Tascam DR-40X)

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